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Earlier, Dylan’s interest in going had waned and he wanted to stay home and play trains. I was able to change his mind by telling him that there would be a steam-roller down there and that Kate would be driving it. That did the trick.

Kate had finished her stint as driver, but we did see 3′ x 5′ letterpress posters being created 2 at a time by a crew of volunteers, big linocuts, a couple of 4′ x 8′ sheets of plywood, and the steamroller for the actual pressing. Pretty ingenious. The posters were hung from the school balconies to dry and were auctioned off as a fundraiser. My favorite was the Godzilla/sushi poster created by a crew from Starbucks.

A Wayzgoose is a tradition in the letterpress printing world that dates back to the 17th century, when master printers would serve a feast to their apprentices in recognition of the impending shorter days of fall and winter which would require the difficult work of hand-setting type by candlelight. Goose was often served, along with whisky. Now shops had adopted the past time as a way to open their doors to the public and showcase the work that has been going on.
— Kate Fernandez

As a parent, the bus is pretty cool too, cause you get to hang on to your child, have them on your lap. No seat belts, no separation. If something passes by on the other side of the bus and it’s not crowded, you can just go there and look at it. It’s a pretty radical change from the normal constraints of a car…

We got out on third and went into the museum. And I have to admit, somewhat abashedly, that this was my first time since the new building, expansion, and renovation (May 5, 2007) that I have been there.

What a pleasure. So big and open and clean and full of light. So much room.

We didn’t linger…not with the kids. It was straight up to the Calder exhibit which was number one for me as I’ve always loved his work.

The space and the limited number of folks there Saturday morning was great. We could all walk anywhere we pleased pretty much around the big painted circles demarcating boundaries below the mobiles. Dylan was pretty into it, Lila was asleep at this point I think, and Jill and I were daydreaming around with all the shadows and shapes moving along the walls. So many flowers everywhere and celestial bodies.

It’s so wild to see an object with multiple lives. the object itself and then the dynamic life of moving shadows. There are some amazing pieces in this exhibit.

It is supplemented with some photos of Calder working; portraits of him in his chaotic studio set in calm NY farm land. But to top it all or really to provide a glimpse of Alexander Calder himself was the movie showing in the back room. Jill fed Lila and Dylan and I plopped down right on the floor rapt with joy and wonder at this amazing movie of him performing his traveling circus.

The man’s joy for and attention to life rollicks around this film and it’s “characters” wire, cork, cloth figurines made mobile, suddenly incarnate with the pull of a string. It’s impossibly ingenious and joyfully intoxicating. I recommend going if only for this film…but of course you’d get to see the work too. Watching this, one understands that Calder is a figurative master. He evokes the movement and shape and muscles of a trotting horse or the barbell-lifting strongman with wires and wheels. Amazing.

Alexander Calder performing le cirque

I’ve included links to a very similar version to the one they are showing @ SAM, but it’s not the same at all. Much of the effect is lost and I recommend soaking in the man’s work and then seeing le cirque!

Calder Le Cirque Clip 1
Calder Le Cirque Clip 2

Movie info from YouTube: “Carlos Vilardebo’s 1961 film of Alexander Calder’s “circus,” an intricately assembled performance piece played out by handmade characters including jugglers, sword swallowers, clowns, and animals. These figures, crafted from a collection of “cork, wire, wood, yarn, paper, string, and cloth,” were each assigned a series of movements and manipulated by the artist to perform specific circus acts. With performances held at various locations in Paris and New York through the mid 1930s, Calder’s circus helped to establish him in avante-garde circles. Jean Cocteau, Joan Miró, Fernand Léger, Piet Mondrian, Le Corbusier, Thomas Wolfe, and André Kertész were among those who saw the celebrated Cirque Calder over the years.AAA “

Today, on my first visit, I viewed this video of an interview with that blog’s founder, David Goldstein, giving a very calm, articulate discussion of the role of the blogosphere in media, the regressive tax structure of Washington state, and the genious of conservative politcal movement in copting populist/verbal methods of reframing issues and getting the poor and middle classes to identify with the very wealthy.

Goldy

And to explain my post title, here’s the other Goldie I referred to, most well known as a jungle/drum ‘n’ bass dj/producer and owner of the Metalheadz record label.

Goldie